Giovanni Papini offers an argument that the Divina Commedia, part of which is Inferno, may be defined as a retaliation and revenge (266). He gives a picayune background of Dantes humiliations; that the latter was forced to take second decree as he was born of an ancient family, had to content himself with the duties of a subordinate, became a victim of Boniface VIII despite of having wished for clean reform for the church and hoped to re-enter his native city that obdurately repulsed him (266). One literary theory is psychological criticism which deals with a call on of literature primarily as an expression, in fictional form, of the personality, sound out of consciousness, feelings, and desires of its germ... This theory requires [investigation of] the psychology of a character or an author to figure out the kernel of a textbook (although to don an authors psychology to a text mess also be considered biographical criticism...). (Appleman) Given this idea, since the poet Dante go through downfall, it is indeed possible that through his Commedia, particularly the Inferno, he attacks those large number who contributed to his mentioned downfall. Dorothy Sayers further adds to this argument in her mental home to her interpreting of the Inferno: We cannot, of course, do without the historical approach alto countenanceher, for the numbers is largely bear on with historical events. Neither can we do altogether without the biographical approach, since the poem is so most concerned with the poets personal experiences. (19) Given Dantes background in the front paragraph, Papini says that in Dantes mind came the overpowering need of a exulting recovery, of a revenge which should compensate for his [Dante] humiliations and delusions (266). Dante pull up stakes judge from on high the kings and emperors...Inconspicuous, neglected sacrificed in the temporal bless of the world... [He] will declare his unmeasured... If you want to get a full essay, orde! r it on our website: OrderCustomPaper.com
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