Sunday, February 9, 2014

IB themes and variations music composition work

Jason ChanThemes and change rootIn this composition, we were given the chords G ? A ? C ? D ? G ? C ? D ? G and our task is to using up these chords to write a melodic themes and variation straining. My composition imitates the flair of Pachelbel?s locate in D. This strain is played by the draw quintet instruments ( fiddle 1, Violin 2, genus genus Viola and Cello), and a cembalo. This song starts go forth with harpsichord, viola and cello. Cello is performing a basso figured bass of G ? A ? C ? D ? G ? C ? D ? G thought out the whole song. cembalo also supports the cello plainly repeating the chords in the song. later on the harpsichord and cello finishes playing the chords once, Violin 1 joins in. Violin 2 is added as a canon to play with fiddle 1 after 4 cast outs. Violin 1 turns from twenty-five percent brands to 8th notes after 4 forbids. On banding 17, Viola starts to play quarter notes and fiddle 1 introduces the theme. Violin 2 repeats the theme after 4 meters while fiddle 1 is playing the harmonic notes of the theme. Violin 1 has 12 sexual inversion notes from violin 2 on bar 22. On bar 25, there is a syncopation fortuity from the theme in violin 1. Notes that be played are scummy chord notes from the basso continuo. Viola on bar 25 changes to 16th notes, playing the tonic notes from the chords of harpsichord. On bar 29, violin 1 plays the inversion of violin 2, but on the brawny beat. Viola slows downwards and repeats what is played on bar 21 again. The theme is recurrent once again on bar 33 from violin 1 except that for either second note of the theme it is replaced by the tonic note of the chords the harpsichord is playing. On bar 27 the song slows down with violin 1 playing 8th notes. Bar 9 is repeated on bar 41 till the end. end-to-end this song there were several large changes I had to contact in order to finish the song. My first idea of the song was to stool different instruments playing the theme plus var iation. It?s more(prenominal) of a solo sho! w saturnine rather than a canon. By imitating ?Canon in D? by Pachelbel, it change my song. I?ve act Pachelbel?s canon in D style, which is starting off slow and changing the notes twice as much each(prenominal) time the bass notes are looped. On the syncopation bitstock part, I had to make authoritative the notes wouldn?t bring into being a big dissonance. It is relativity difficult to make sure the inversion in the duet stays within the instrument range, but the final results wasn?t as expected. The notes excided the range of the instrument. In order to fix this problem, I had to set the notes a petty adjacent to the tonic so the inversion won?t be out of the range. Chan, Jason Y. Themes and variation composition write up. Themes and variation composition write up (2009): 1-1. If you want to get a luxuriant essay, order it on our website:

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