Comparing Reactions to Industrialism in Frankenstein and The Communist

Reactions to Industrialism in Frankenstein and The communist Manifesto The radical changes of the nineteenth century were un comparable any the world had seen before. A sense of these changes were felt by each(prenominal) in numerous aspects not just politically, but in social and cultural means as well. When Mary Shelleys Frankenstein was published in 1831, it was clear that many general elements of the romantic era were well reflected. Similarly, Karl Marx and Frederick Engels The Communist Manifesto appeared in 1848, a time of great national political revolutions throughout Europe. While textually these diachronic nineteenth century texts have little in common, it is clear however that they both are salutary reactions to previous movements of European society. Underlying Shelleys Frankenstein are strong uses of romanticism, whereas The Communist Manifesto is undoubtedly opposing the consequences of the industrial revolution in Europe both reactions of the past, yet effective in starkly different ways. Frankenstein, like other English Romantics, placed great emphasis on the power of nature. The Arve Ravine, and the Valley of Chamounix exemplify the harmony and beautiful serenity of nature, and add to the romantic eccentric of the novel while sharply contrasting with the chaos of Victors troubled mind. The Romantic movement can be seen as a protest against the rapid industrial enterprise that was occurring in England at the time of Frankensteins publication. While many interpretations are plausible, the novel depicts the fear that technology (and the human obsession with technology) would ultimately prove disastrous. The characters of Walton and Frankenstein are wrought by Romantic idealism, as manifested in their ... ...r a classless, productive, industrial society that was beneficial to all, the mere recognition of strength in numbers and class solidarity were fundamentally effective and paved the way not only for future governments but for future laborers. Works Cited Lowe-Evans, Mary. Frankenstein Mary Shellys Wedding Guest. New York Twayne Publishers, 1993. Marx, Karl. Communist Manifesto. Birth of the Communist Manifesto. Ed. Dirk J. Struik. New York International, 1971. 85-125. Oates, Joyce Carol. Frankenstein Creation as Catastrophe. Mary Shellys Frankenstein. Ed. Harold Bloom. New York Chelsea House Publishers, 1987. Shelly, Mary. Frankenstein Or the Modern Prometheus. New York Penguin Books, 1978. Tropp, Martin. Mary Shellys Monster. Boston Houghton Mifflin, 1976.